controversial book covers #2: American Indians through the eyes of mainstream publishers

1989 cover

When my first novel, Jenny of the Tetons, was about to be published the bound galley arrived with a beautiful wrap-around cover. I was thrilled. At first.

Then I looked closely at the painting. The mountains weren't the Tetons and Jenny, a Shoshone Indian, resembled a white pioneer. Her face was pale, her hair short, and she wore a gingham dress. I protested vigorously to my editor. Not only was the cover inaccurate, it showed nothing of Jenny's proud heritage. I pleaded for a do-over: for Jenny to be in her native clothing, which was described in the novel, and for the Tetons to be authenticated. This is one of the most distinctive ranges in the West! That they and Jenny were generic, was a disgrace.

The painting was tweaked: Jenny's skin was darkened and she was given braids [PHOTO, above]. Dress was the same, ditto the mountains. When I asked why more wasn't done, my publisher answered, "Artistic license."

2002 paperback reprint

The paperback reprint is worse. A white girl is featured on the cover [PHOTO, right]. In the background is a fuzzy photo of an Indian woman on horseback, pulling a travois with two children in what looks like a reed cage. She is holding a baby in a cradle-board. This Jenny looks haggard and bummed out. It's a sad example of a publisher relegating a Native American to the background. Is it because of marketing in this case, that a fair-haired girl will sell more covers than a tired Indian? I hope this stereotype is just a mistake and that publishers will start doing more to honor our indigenous friends.

Jenny Leigh was a real person. She was married to an English fur trapper and they had six children. She was so respected and admired, Jenny Lake in the Tetons was named for her.